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"...Plural Nounsss… visceral and compelling, a statement of pain and loss and of trying to wrest sense from a sometimes senseless time. This piece has more of the hard edge Hoff is also capable of, with athletic and frenetic slapping and falling…. …Talk to Me is a rich piece, full of interesting staging choices using only folding chairs and five dancers, with plenty of drama and physical interaction …There is good ebb and flow as well, driven both by choreography and musical choices …The ending builds in intensity from the moment all five seated dancers bump their chairs downstage to the edge of the audience, confronting us at intensely close range, really effective in the small theater of this evening, until ultimately they spread themselves across the stage to finish with a dangerous series of falls in which each dancer crashes dramatically to the floor all the way from standing on the chair seat, over and over until blackout… The range from danger to playfulness in the evening is refreshing, with neither heaviness nor levity being allowed to dominate. It is a trick to pull this off; Hoff clearly has a serious side but also enough clarity to keep that light at the end of the tunnel." Quinn Batson/ offoffoff.com ( 11/13/08) To read the full article click here. "The composition... was just gorgeous – great tension and beautiful counterpoint. ...For me, her (Daniela Hoff`s) artistic voice and the important subjects that she chooses to address really stand out and make compelling statements." Karen Shapiro about Shadowlands, Wet Paint (October, 2011) To read the full article click here "...cohesive and well-crafted piece filled with discomfort, and leave the viewer full...Hoff does an excellent job of layering and texturing...Shadowlands plays with tension and discomfort and find points of release or relief, and comes to a place of temporary peace, pleasingly, to end." Quinn Batson, offoffoff.com (5/18/11) "...Daniela Hoff showed…"Talk to Me," ….with beautifully evolving soft, crisp movement … simple but effective … seamless progression… interesting partnerings and contact interactions, all done really smoothly …with energy and grace… …the succinct, effective piece "Plural Nounsss"…" Quinn Batson/Offoffoff.com (06/11/08) To read the full article click here. "...Sudden interruptions, like the breaks in fever, gave this beautiful victim rest..." Robert Johnson/ Starledger,NJ (02/01/05) "... Hoff wrings emotion out of herself and through her very articulate hands in passionate and artful writhing, with a good mix of spinning floorwork and slow, prone rising and falling..." Quinn Batson/ offoffoff.com (10/24/05) “…Steve Reich music brings out the best in many choreographers, and Daniela Hoff's "Talk to Me Quartet"is a good example... ...The effect is captivating…” Quinn Batson/ offoffoff.com (2/6/08) “…Daniela Hoff… expresses sweeping obsessive passion in physical terms, with a body intent on stretching itself to every extreme…” about a solo choreographed by Erica Essner; Village Voice (01/22/02) "...I was impressed by the time element of the piece..."Picture Book" featured strong performances and presence from Hoff and Harun. I enjoyed watching them interact in each different segment of the piece. The concept of the choreography was well constructed..." Kelly Hayes/ offoffoff.com ( 04/25/04) “…with very sensual movements Daniela Hoff moved swiftly through the space…” ITS- Festival Daily, Amsterdam/ Holland ( 06/25/1997) “… Daniela Hoff is expressing very sensitive through dance a story about inner conflicts and turmoil…” Werdener Nachrichten, Essen/ Germany (06/30/1995) “… With a lot of sensitivity for interpersonal relationships the creative offspring ( Daniela Hoff ) is following the example of the great choreographers of the modern dance theater…” WAZ, Essen/ Germany (08/24/1995) |
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